Colour and Color: What Skin Tells Us About Aspiration

Culture & Society

Colour and Color: What Skin Tells Us About Aspiration

I learned that the skin we're told to want reveals the economic history of the place we're in, and that my own beauty standards are just as culturally constructed as anyone else's.

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“One, of British background, uses tanning salons and self-tan in winter and seeks the sunniest spot on any beach she visits.”

In every pharmacy in Southeast Asia, the skin care aisle is predominantly white. Not white in the sense of empty shelf space, but white in the chromatic sense: packaging dominated by pale tones, models with skin considerably lighter than the majority of the people who will buy the products, and text in multiple languages emphasising the words brightening, whitening, lightening, and fair. This is not a niche market. It is the dominant register of beauty product advertising across much of East and Southeast Asia, a multi-billion dollar industry built on the premise that lighter skin is better skin, which is to say more attractive skin, which is to say more valuable skin.

The same company that sells you “Naturally Fair” in Bangkok will sell you “Sun-Kissed Radiance” in Birmingham. Nivea, L’Oréal, Unilever, and most of the other major cosmetics multinationals operate what amounts to a geographically adjusted beauty standard, producing the exact same category of product, whitening or bronzing depending on which side of the world you’re on, under the same brand with the same marketing logic: the skin you have is not quite right, and we have something that will make it more like the skin you should have. The aspirational direction simply runs the opposite way depending on your latitude.

Both of them are responding to a market that has identified their existing appearance as a problem it can sell a solution to, which is...

Colour and Color: What Skin Tells Us About Aspiration

The historical logic of this is not difficult to trace and is worth tracing because it explains why the aspiration runs in the direction it does in each region. In Asia, and particularly in South and Southeast Asia, a tan has historically indicated outdoor labour, which is to say agricultural work, which is to say poverty. A person of means did not work in the fields. A person of means stayed indoors, managed others, maintained pale skin as evidence of their economic position. This is not a recent construction. It appears in Chinese classical literature, in the aesthetics of Mughal court painting, in the conventions of Japanese theatrical makeup, in the whitening powders worn by Vietnamese aristocratic women in the pre-colonial period. It predates Western influence by centuries, which complicates the narrative in which this preference is entirely a colonial import, though colonialism certainly reinforced and industrialised it in ways that made it more commercially exploitable.

In the West the logic inverted, and the inversion is also traceable historically. The tan as status symbol is largely a twentieth century development, generally attributed to Coco Chanel’s accidental sunburn on the Côte d’Azur in 1923 and the subsequent acceleration of fashion in the same direction: bronze skin came to signal leisure, which is to say holidays, which is to say the money and time required to take them. Where once a pale complexion indicated that you did not have to work outdoors, a tan came to indicate that you could afford to be outdoors without working. The aspiration simply updated to match the new economic conditions of a society where manufacturing and service work happened indoors, and outdoor leisure became the marker of disposable income rather than outdoor labour.

Words that I use naturally, trolley, chips, autumn, petrol, cinema, produce blank looks or amusement when I
use them with people whose English vocabulary was built around shopping cart, fries, fall, gas, movie theater.

Two friends come to mind. One, of British background, uses tanning salons and self-tan in winter and seeks the sunniest spot on any beach she visits. The other, of Asian heritage, grew up with whitening agents in the bathroom and an awareness, absorbed rather than stated, that her natural colouring was further from the aspired point than she would like. They are both trying to be the other, in the specific direction that their respective cultural contexts have told them to try. Neither of them is unusual. Both of them are responding to a market that has identified their existing appearance as a problem it can sell a solution to, which is the underlying business model of most of the cosmetics industry regardless of geography.

Language works differently but produces some of the same observations. Travelling between countries where English is spoken as a second language, you learn quickly that American English is what was taught in schools and broadcast on television, which means that the English most people in Asia have encountered is not the English I grew up speaking. Words that I use naturally, trolley, chips, autumn, petrol, cinema, produce blank looks or amusement when I use them with people whose English vocabulary was built around shopping cart, fries, fall, gas, movie theater. Australia, meanwhile, contributes its own register: thongs for flip-flops, doona for duvet, bottleshop for off-licence, and the phrase CBD, central business district, which I thought I had last encountered in a GCSE geography exercise about Wombwell.

Both of them are responding to a market that has identified their existing appearance as a problem it can sell a solution to, which is...

Colour and Color: What Skin Tells Us About Aspiration

The same company that sells you "Naturally Fair" in Bangkok will sell you "Sun-Kissed Radiance" in Birmingham.

The word colour itself is one of the casualties of this divergence. The Latin original was color, which is the American spelling. The French, from whom English borrowed so much in the medieval period, wrote it as couleur, and English eventually settled on colour with the u, which is the spelling that Spellcheck in every piece of software I have ever used seems to regard as an eccentricity requiring correction. These are small things. They accumulate into something larger, which is the recognition that the version of the language you grew up speaking is local, not universal, and that the assumptions embedded in it are local too. Travel doesn’t give you better assumptions. It gives you awareness that you have them, which is the starting point for something more useful.

Trip Guide

Southeast Asia (multiple countries)

2-3 weeks

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Best time to visit

November to February offers cooler, drier weather across most of Southeast Asia, making it ideal for travel and exploration of urban centers and markets.

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Getting there

Fly from the UK to major Southeast Asian hubs like Bangkok, Singapore, or Kuala Lumpur, typically with one or two stops. Regional travel between countries is easily accessible by budget airlines, trains, and buses.

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Where to stay

Stay in central areas near pharmacies and shopping districts to observe local beauty product markets and cosmetics culture. Mix of budget hostels, mid-range hotels, and local guesthouses available in all major cities.

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Daily budget

£30-60 per day depending on country and accommodation choices.

Flights £400-700
Stay £10-30
Food £5-15
Activities £5-20
Transport £2-8
Estimated daily total £22-73

Good to know

  • Visit pharmacy skincare aisles in multiple countries to observe regional beauty standard marketing differences
  • Engage with locals about beauty preferences and cultural attitudes toward skin tone
  • Explore classical literature, museums, and historical sites that reflect pre-colonial beauty standards
  • Compare cosmetics branding and packaging across different countries for the same multinational brands
  • Note language variations in English-speaking areas and how colonial influences shaped local vocabulary

Southeast Asia offers excellent value for budget travelers. Costs vary significantly between countries—Thailand and Vietnam are cheaper than Singapore.

Estimates based on research at time of writing. Check current rates before booking.